![]() ITC Avant Garde¿ Mono is a monospaced version done by Ned Bunnel in 1983. The condensed weights were drawn by Ed Benguiat in 1974, and the obliques were designed by Andr¿ G¿rtler, Erich Gschwind and Christian Mengelt in 1977. The large, open counters and tall x-heights seem friendly, and help to make this family work well for short texts and headlines. It was the ligatures and alternates of the Avant Garde Gothic type family of. Still strong and modern looking, ITC Avant Garde has become a solid staple in the repertoire of today's graphic designer. Typography had its stars as well: the leading designers and the faces they. Since ITC Avant Garde Gothic Typeface is well known as the most geometric sans serif font that is mostly used for print advertisements, I used advertisement related quotes, especially about how to create. These fonts contain the basic alphabets (without the old unusual ligatures). Its huge, tall, and open x-heights counter depicts boldness and honesty while maintaining a friendly and cheery presence at the same time. The early versions of ITC Avant Garde became well-known for their many unique alternates and ligatures that still conjure up the typographic aura of the 1970s. ITC Avant Garde is a geometric sans serif meaning the basic shapes are constructed from circles and straight lines, much like the work from the 1920s German Bauhaus movement. ![]() They based it on Lubalin¿s logo for Avant Garde Magazine - an exciting construction of overlapping and tightly-set geometric capitals. ITC Avant Garde Gothic¿ was designed by Herb Lubalin and Tom Carnase in 1970.
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